Mirjam Bromundt lives in Vienna and works internationally as a film projectionist and cinema technician. She studied Graphic Design, Media and Communication Studies at the University of Vienna and the University of Valencia, and is currently pursuing a Master’s degree in Critical Studies at the Academy of Fine Arts Vienna. Her work spans various areas of technical support at film festivals such as Rotterdam, Cairo, Oberhausen, Locarno, and Berlin, as well as projection at the Austrian Film Museum. In her artistic practice, she explores the construction of reality, the apparatus of cinema, and the cinematic space.
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The Golden Pixel Cooperative lists the collective’s screenings and exhibitions with dates and locations. Events: Framing Collective Action (House) — mumok kino, Museumsplatz 1, 1070 Wien; Elastic Chronologies — Medienwerkstatt Wien, Neubaugasse 40a, 1070 Wien; GPC Streams (#5): Next Stop
The Golden Pixel Cooperative is a Vienna-based association for moving image, art, and media, working collectively with a feminist and anti-discriminatory approach. Artists: Marlies Pöschl, Simona Obholzer, Mirjam Bromundt. Collaborators: Axel Stockburger, elephy, Eva and Franco Mattes.
Imprint The Golden Pixel CooperativeAssociation for Moving Images, Art and Media ADDRESSThe Golden Pixel CooperativeSchönbrunner Straße 181/1/22, 1120 Vienna CONTACTEmail: info@goldenpixelcoop.comWebsite: www.goldenpixelcoop.comAssociation register: ZVR number: 535802885Authorized representatives: Enar de Dios Rodriguez, Huda Takriti, Pille-Riin Jaik, Mirjam Bromundt Olena Newkryta, Katharina
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Online Screen ↗︎TITLE, 23.07.24, 19:00 The streaming platform GPC Online Screen was created in May 2020 as a rapid response to the COVID restrictions on the opening of cultural spaces. Designed and developed in collaboration with the Colombian collective Lagentedelcomún,
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SHARES, We have created an infrastructure to share material and immaterial resources; we foster exchange and build a community through workshops, gatherings and feedback sessions. ↗︎ SHARES, PRESENTS We present moving image works that explore different fields of knowledge in
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MIRJAM BROMUNDT
SIMONA OBHOLZER
Simona Obholzer is a visual artist working with graphic and time-based media, with a particular focus on the intersection of image theory, spatial perception, and embodied experience. Central to her work is the question of how visual stimuli can extend beyond optical reception to engage the body’s proprioceptive and somatic registers.
Through her installations she investigates the gaze as a motor of movement and sensation, drawing attention to the physicality of seeing and the immersive potential of images.
Her projects often investigate the thresholds between natural and constructed environments, using repetition, rhythm, and spatial framing to evoke sensory and spatial awareness.
Obholzer studied at the Academy of Fine Arts Vienna in the Department of Video and Video Installation, and at the Glasgow School of Art in Scotland. She has received numerous awards and fellowships, including the Prize for Innovative Cinema at Diagonale Graz (2024), the Prof. Hilde Goldschmidt Prize (2022), and the Austrian State Grant for Video and Media Art (2021).
Her works have been exhibited and screened internationally, including at VideoEx Zurich (CH), Diagonale Film Festival (AT), Kassel Dokfest (DE), MUSA Vienna (AT), Kunsthalle Wien (AT), Kunsthaus Graz (AT), Kunsthalle Tirol – Taxispalais Innsbruck (AT), and S.Y.P Art Space Tokyo (JP).
MARLIES PÖSCHL
MARLIES PÖSCHL (b. 1982) is an artist, filmmaker, curator and educator. She is currently based in Vienna (AT) and works internationally. Pöschl teaches at the Academy of Fine Arts Vienna. As co-founder and chairperson of The Golden Pixel Cooperative, an association for moving images, she has developed artistic-curatorial strategies for exhibitions, screenings and projects in public space with a focus on feminism and ecology.
Shifting between artistic, curatorial and educational approaches, Pöschl is interested in art as a form of knowledge production. She understands filmmaking as social practice and often collaborates with actors from outside the art world in search for polyphonic narrations and open-ended dramaturgies. Recently, Pöschl has focused on ways in which western societies respond to the ‘care crisis’.
