■ DATE:
■ LOCATION:
■ ARTISTS:
■ WEB INTERFACE PROGRAMMING:
■ CURATED BY:
The compilation highlights critical and socio-political encounters with identities, bodies, both human made and humanless spaces as well as their ecological shadows. The moving image works feature documentary, experimental and performative audiovisual comments on the disembodied realms of our time. Watching the program viewers will encounter humans and robots, touch sculptures and bodies, discover sand, pixels and fluids. By "STREAMING SPECTRES" via their screens they will travel at home and enter real and virtual places, taking time to remember, to forget, to imagine and to dream.






GPC Online Screen is a streaming platform, featuring curated film programs by the Golden Pixel Cooperative. Accompanying real space events and screenings on the web, we aim to facilitate free participation for people from all around the world.
For the realization of this project, the Golden Pixel Cooperative collaborated with Lagentedelcomún, , a Colombian collective of latin american artists dedicated to web development and interactive design. They specialize in cultural, environmental and social projects.
In collaboration wih Isolation TV and Salzburger Kunstverein.
■ CHRISTIANA PERSCHON: DAS BIN NICHT ICH, DAS IST EIN BILD VON MIR
2018, 9:30 min.
■ VIKTORIA SCHMID: KATHARINAVIKTORIA
2012, 1 min.
■ IRIS BLAUENSTEINER: AND ONE OF THEM SINGING
2011, 7 min.
■ OLENA NEWKRYTA: ON ARRIVING (PERFORMANCE)
2016, 3 min.
■ LUIZA MARGAN: REROUTING
2016, 7 min.
■ LISA TRUTTMANN: THE COURSER
2018, 12 min.
■ MIAE SON: LUFTHAUS
2019, 5:30 min.
■ HANNA SCHIMEK: ALS DIE WELT NOCH IN ORDNUNG WAR IM GEMEINDEBAU
2020, 1 min.
■ MARLIES PÖSCHL: AURORE
2019, 22 Min.
■ NATHALIE KOGER: TREFFPUNKT
2003, 2:25 min.
■ KATHARINA SWOBODA & KAMEN STOYANOV: CLEANING THE BLACK SEA
2019, 2 min.
■ ENAR DE DIOS RODRÍGUEZ: VESTIGES (AN ARCHIPELAGO)
2020, 40:48 min.
■ MIRJAM BROMUNDT: HOLD YOUR BREATH
2014, 2 min.
■ SIMONA OBHOLZER: 6:00 - 8:00
2012, 05:15 min.
■ LYDIA NSIAH: TO FOR GET
2019, 17 min.
We use the font “Suisse Int’l,” which was kindly provided to us by Swiss Typefaces.