Indizien

Presents, Ecology, Nature-culture, Research-based, Exhibition

Group exhibition

■ DATE:

05.–18.04.2022

■ LOCATION:

Kunsthaus Graz
Lendkai 1, 8020 Graz

■ ARTISTS:

Nathalie Koger, Enar de Dios Rodríguez, Olena Newkryta, Katharina Swoboda, Lisa Truttmann, Viktoria Schmid, Simona Obholzer and Marlies Pöschl

■ CURATED BY:

Katrin Bucher Trantow, Michaela Humpel and Katharina Swoboda

■ RELATED CONTENT:

↗︎ Palestine Cinema Days Around the World

↗︎ Collective Longing & Collective Structures

↗︎ Echoes of Silence

“Indizien” (Indices) is the theme of the group exhibition and the Diagonale'22 festival trailer.

Installationsansicht, „Indizien”, Kunsthaus Graz, 2022, Lisa Truttmann: „Indicating Apparent, True and Absent Colors”, Foto: Simona Obholzer — Installation view, "Indizien", Kunsthaus Graz, 2022, Lisa Truttmann: "Indicating Apparent, True and Absent Colors", photo: Simona Obholzer

Installationsansicht, „Indizien”, Kunsthaus Graz, 2022, Katharina Swoboda: „Trailer - Drehortsuche” und Marlies Pöschl: „Notes for: Ever normal granary”, Foto: Simona Obholzer — Installation view, "Indizien", Kunsthaus Graz, 2022, Katharina Swoboda: "Trailer - Drehortsuche" and Marlies Pöschl: "Notes for: Ever normal granary", photo: Simona Obholzer

Installationsansicht, „Indizien”, Kunsthaus Graz, 2022, Nathalie Koger, Mathias Windelberg: „Stills aus einer Passage von Die Videokonferenz der Tiere”, Foto: Simona Obholzer — Installation view, "Indizien", Kunsthaus Graz, 2022, Nathalie Koger, Mathias Windelberg: "Stills aus einer Passage von Die Videokonferenz der Tiere", photo: Simona Obholzer

Installationsansicht, „Indizien”, Kunsthaus Graz, 2022, Viktoria Schmid: „Blow-up: KatharinaViktoria 2(021), 202”, Foto: Simona Obholzer — Installation view, "Indizien", Kunsthaus Graz, 2022, Viktoria Schmid: "Blow-up: KatharinaViktoria 2(021), 202", photo: Simona Obholzer

Installationsansicht, „Indizien”, Kunsthaus Graz, 2022, Simona Obholzer: „große simple Linie (stitched)”, Foto: Simona Obholzer — Installation view, "Indizien", Kunsthaus Graz, 2022, Simona Obholzer: "große simple Linie (stitched)", photo: Simona Obholzer

Installationsansicht, „Indizien”, Kunsthaus Graz, 2022, Olena Newkryta: „aus der Serie Patterns Against Workers (cotton fields)”, Foto: Simona Obholzer — Installation view, "Indizien", Kunsthaus Graz, 2022, Olena Newkryta: "aus der Serie Patterns Against Workers (cotton fields)", photo: Simona Obholzer

Installationsansicht, „Indizien”, Kunsthaus Graz, 2022, Enar de Dios Rodríguez: „Indizien von A history of cartography”, Foto: Simona Obholzer — Installation view, "Indizien", Kunsthaus Graz, 2022, Enar de Dios Rodríguez: "Indizien von A history of cartography", photo: Simona Obholzer

The exhibited images, such as a river, a hand on a globe, and the inside of a granary, appear as visual references to artistic works by members of the cooperative. “You don’t have to be ecological. Because you are ecological" Timothy Morton states, and alludes to the interconnectedness of people with their surroundings. Each artifact created in the artistic process is part of a system designed by the artist; an "artistic ecology" in which the apparatus and space act as an effective fabric on the process. Circumstantial evidence is part of this fabric. In the exhibition, clues to these personal and collective systems are unfolded in the form of large-scale black and white images.