While film images are bound to a fixed timeline, photography and painting allow viewers to determine their own pace of perception. Today, digital media enable us to manipulate filmic chronology\u2014by skipping, repeating, or accelerating scenes. Similarly, in the exhibition space, individual timelines emerge through the free movement of visitors. \u201cElastic Chronologies\u201d explores this interplay of time, motion, and image in works by Simona Obholzer, Marlies P\u00f6schl, Olena Newkryta, Pille-Riin Jaik, Daniel H\u00fcttler, Klaus Rabeder, and Janina Wei\u00dfengruber.<\/p>\n\n\n\n
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