GPC Streams (#5) Next Stop
The temporal paradox between obsolescence and promise, ruin and construction, as well as the maintenance of a system and its sabotage, becomes evident through the three films that compose “Next Stop,” whose protagonists are railways systems in Austria, Spain, South Caucasus, and Caspian regions. ↗︎ More↗︎ GPC Online Screen
GPC STREAMS (#4) Vienna Plays Itself
“GPC STREAMS (#4) Vienna Plays Itself” presents works by three feminist filmmakers and artists, each with a linking thread: Vienna. These artists have all studied, lived and worked in Vienna and their works reflect on their experiences. Through the artist’s different critical approaches, also towards image production, we witness encounters and struggles with identities, bodies, […]
out of office
Behind every screen, every piece of digital information, every exchange of data lies a complex arrangement of material and work. It includes not only mined minerals and electrical grids, but also visible and invisible workers. This hidden work sometimes appears as a hand dismantling something, as an eye looking at endless sequences of images, or […]
Plants as a Site of Knowledge
The film program “Plants as a Site of Knowledge” collects stories about the relationship between plants and memory: observations on how socio-political and economic interdependencies influence the history of ecosystems. What kind of memory do plants carry with them? To what extent are they part of cultural memory? Can time be turned back in ecosystems […]
GPC STREAMS (#3) A Succession of Waves
“A Succession of Waves” embraces the impossibility of comprehending the inexhaustible swell by presenting three attempts to represent it through film. First, in Obholzer’s “2 days left”, the wave has been constructed artificially: an anthropogenic leisure trick captured through a rather abstract succession of moving images. In the second attempt, Wang’s “One Thousand and One […]
GPC STREAMS (#2) Unearthed Foundations
“Unearthed Foundations” presents three disparate but equally poignant video pieces that deal with specific mined materials and the utilitarian realities that have been ascribed to them. Despite their contrasting approaches—an observational piece, a critical satire and a film essay—these works look upon mineral exploitation with a critical gaze. Sometimes ironic and performative, sometimes documentary and […]
GPC STREAMS (#1) The beginning is the end…
“The beginning is the end is the beginning” is a selection of audiovisual works that interact with ruins in different locations (a Soviet residential building in Oleksandrivka, the now demolished National Theater in Tirana and Glory’s nightclub in Ibiza). These interactions, conceived from different personal perspectives, enable the rupture of linear time: past, present or […]
In Resonance
In this film programme, selected cinematic works by current and former cooperative members are set in relation to experimental films by British artist Sandra Lahire. ↗︎ More ↗︎ Diagonale ’22
Indizien
“Indizien” (Indices) is the theme of the group exhibition and the Diagonale’22 festival trailer. ↗︎︎ More︎↗︎ Kunsthaus Graz
Überschreitungen (Transgressions)
From film on the façade via the word: both a medial as well as formal transgression, The Golden Pixel Cooperative refers to two of their artist film works. ↗︎︎ More︎↗︎ Kunsthaus Graz