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"GPC STREAMS (#4) Vienna Plays Itself" presents works by three feminist filmmakers and artists, each with a linking thread: Vienna. These artists have all studied, lived and worked in Vienna and their works reflect on their experiences. Through the artist's different critical approaches, also towards image production, we witness encounters and struggles with identities, bodies, and art politics.
Miae Son’s work, "Bigger", takes a poetical and critical approach towards the dominance of western philosophy. It addresses the difficulties of a migrant woman’s body from her everyday life in a classical European living space.
Blurring the boundaries between documentary and fiction, in "Tunnel of Inclusion", Charlotte Gash uses Vienna’s art scene to act, and then presents it back like a mirror to the art world.
In "Violett", Laura Nitsch discusses the historical period of Red Vienna in terms of in/visibilities, class differences and the construction of sexuality and gender.


■ MIAE SON: BIGGER
2022, Austria, 8:57 min.
■ CHARLOTTE GASH: TUNNEL OF INCLUSION; BEHIND THE SCENES DOCUMENTARY
2023, Austria, 28:58 min.
■ LAURA NITSCH: VIOLETT
2023, Austria, 31:40 min
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