While film images are bound to a fixed timeline, photography and painting allow viewers to determine their own pace of perception. Today, digital media enable us to manipulate filmic chronology—by skipping, repeating, or accelerating scenes. Similarly, in the exhibition space, individual timelines emerge through the free movement of visitors. “Elastic Chronologies” explores this interplay of time, motion, and image in works by Simona Obholzer, Marlies Pöschl, Olena Newkryta, Pille-Riin Jaik, Daniel Hüttler, Klaus Rabeder, and Janina Weißengruber.